A conversation with Leslie Raymond, Director of the Ann Arbor Film Festival. Learn about the ways film curation differs from other forms of curation and how the team turns thousands of submissions into a tight lineup that surprises and delights.
“Film curators definitely have the challenge of [their medium’s] temporal nature. With two dimensional objects, you can easily look at them at once and figure out [how to] arrange them. But when it comes to working with a time-based medium, you really have to watch it…and maybe multiple times to understand how the piece works.” — Leslie Raymond, Ann Arbor Film Festival Â
At 60 years old, the Ann Arbor Film Festival (AAFF) is the longest-running independent and experimental film festival in North America. Its director, Leslie Raymond, doesn’t just think about curating the best selection of experimental films each year. She also considers how the films fit into the festival’s rich legacy and Ann Arbor’s own cultural standing. (It’s been called the “Berkeley of the East.”)
It was exciting to learn about the ways film curation differs from other forms of curation and how the AAFF team turns 2,700 submissions into a tight, six-day lineup that surprises and delights audiences.Â
Highlights, inspiration and key learnings:
đź‘‹ Say "hi" to Leslie.Â
🔎 Browse this Storyboard to get the episode, plus Leslie’s favorite book, movie, TV show, and podcast.
âž• This podcast was created by Flipboard, the popular social magazine, where enthusiasts are curating stories they recommend across thousands of interests. Learn more.Â